Witch (2024)

The latest horror release from 101 International is WITCH, a film that shares its title with at least three other recent films (Robert Eggers' THE WITCH and two films from Korea). You would think those involved would have picked something else to avoid confusion, but then perhaps that's the point.

This WITCH is British in origin and is set in 1575. But it's less an accurate 1575 and more a Harry Alan Towers late 1960s BLOODY JUDGE-type period setting, where everyone looks improbably modern and the Hungarian locations, while adding a lot of production value, aren't especially period accurate (or any kind of accurate) either. The 'local tavern' looks more like a large town hall and our blacksmith hero lives in the kind of roomy dwelling that would have been more suited to the local magistrate.

But those aren't the only problems with WITCH. Never mind that the lead female character's name is Twyla, never mind that the boom mike swings into view with gay abandon three times in rapid succession about 25 minutes in, never mind that we are shown the ending of the film at the beginning and then have to endure a long, slow 100+ minute slog to get back there. No, the main problem with WITCH is that the story is essentially simple but is presented in such a horribly convoluted way that it becomes increasingly difficult to work out what's going on. A length info dump in the middle of the film only serves to muddy the waters further. Again, perhaps all this is deliberate, in this case to distract you from the fact that the film doesn't actually have a witch in it at all. 

On the plus side there are some decent special effects and the music's not bad. On the bizarre side, if you watch the film through the end credits a scene pops up set in the present day with characters and actors we've never seen before (at least I didn't think so) and featuring what looks like a different book from the one that's been so important (I think) to the plot so far. So incongruous and odd is this sequence that for a moment I wondered if it had been edited in from another film by mistake. Perhaps it had. I haven't said too much about the actual plot because for a change I'm going to let the trailer do that for me. Here it is:

WITCH is out on digital from 101 International on 29th April 2024

Prey! (2024)

"Christian Film-makers Throw Themselves to the Lions"

Mukunda Michael Dewil's new 'When Animals Attack!' picture gets a digital & DVD release from Signature Entertainment.

Africa: the Kalahari desert. Christian missionary couple Andrew (Ryan Phillipe) and Sue (Mena Suvari) are forced to leave the village in which they are based (or rather the solitary tent that is all we see if it) because of the imminent arrival of militant extremists.

The only plane out is a rickety crate piloted by the extremely dubious Grun (Emile Hirsch) who agrees to take them to safety along with three other passengers. No sooner is the plane in the air than a poorly CGI-rendered version of it is hurtling to the ground with such speed it should be dashed to bits. Instead the film cuts straight to the budget-saving aftermath to show that several bits have survived reasonably intact, which is more than can be said for Sue who has a bad leg and can't move.

Grun reveals that they have crashed in a game reserve filled with lions, leopards and hyenas. If that's true then luckily for them they've landed on the one vast plane of it that's completely devoid of any wildlife at all. This absence of wildlife persists for most of the film.

Oh yes. For a movie that claims to be about the threat of savage, carnivorous wildlife, PREY! is Trades Descriptions Act terrible. The few animals we see are in footage obviously shot somewhere else. At one point a freeze-frame lion's face attacks what's left of the plane and it's not until the very end that there's any significant human-animal interaction at all. Mena Suvari's character disappears halfway through, only for Andrew to reveal that lions have dragged her body away. We see none of it, meaning the only item of interest so far is to wonder whether Suvari's agent only allowed her to be in half of this, and only act from the chest up for most of that. There's the hint of a Christian message towards the end allowing the viewer to ponder the question: If God exists, would he allow his propaganda to turn out this ropey?

It's actually no fun being this hard on a film but PREY! is dreadful, and not in an entertaining 'Bad Film' kind of way. One can only imagine what the three main stars were thinking agreeing to be in this. Crushingly poor. Here's the trailer: 

PREY! is out on Digital and DVD from Signature Entertainment on Monday 29th April 2024

All You Need Is Death (2024)

An ancient and obscure Irish folk song may have terrifying consequences in writer-producer-director Paul Duane's new horror that, after having its UK premiere at this year's Glasgow Frightfest, is now getting a cinema release from Blue Finch.

Anna (Simone Collins) and Aleks (Charlie Maher) are collecting old folk tunes in Ireland with the express purpose of selling them on to collectors. So far their efforts haven't yielded anything sufficiently obscure for them to hit the jackpot, but a lead takes them to the house of alcoholic Rita ConCannon (Olwen Fouéré doing her best Fionnula Flanagan impersonation). 

Rita claims she knows a song that is 'only for the ears of women' and claims any attempt to record it could spell disaster. Unfortunately that's exactly what Agnes (Catherine Siggins), an obsessive academic does, resulting in some very strange happenings indeed.

An interesting entry in the 'dangerous art that can drive you insane' genre, which would also include John Carpenter's CIGARETTE BURNS and IN THE MOUTH OF MADNESS, ALL YOU NEED IS DEATH seems to get a bit bored with its own (very good) central concept about halfway through and throws in a lot of other things the film doesn't really need. All it had to do was keep to the idea of 'song that brings about STONE TAPE - like creatures' and that, coupled with Agnes' arrogant academic and our two innocents abroad - both characters we see in the fiction of M R James - and ALL YOU NEED IS DEATH could have been a classic.

Instead it collapses under the weight of its own unchecked ambition. Even so, Duane isn't a hack, thank goodness, and visually the film has some inspired compositions and even some pleasing visual quotes to both Argento (one death scene) and Cronenberg, both senior (Agnes's introduction) and junior (the establishing shot of Agnes' residence is straight out of POSSESSOR). 

So ALL YOU NEED IS DEATH is certainly worth a watch and Duane is certainly a film-maker to keep an eye on, but lowered expectations for this one are recommended. Here's the trailer:

Paul Duane's ALL YOU NEED IS DEATH is out in UK cinemas on Friday 19th April 2024

Nyctophobia (2024)

"Found Footage Rides Again"

The genre nobody wanted to see a resurgence of gets a new entry with Kim Noonan's NYCTOPHOBIA, getting a digital release from Miracle Media.

Twin sisters Rose and Azalea (Chiara and Bianca D'Ambrosio) are about to set off to their post-graduation party with friend Brooks (BJ Tanner). However, before they leave the house, strange things start to happen. Rose is convinced the moon, which was previously full, has disappeared. Then there's a power cut. The only source of light is Brooks' phone which he has been using to record their pre-party preparations.

No other light source - including the torch Rose has bough as a present for nyctophobic Azalea - will work, and as the night goes on it becomes apparent that there are creatures in the dark who are after the eyes of human victims.

NYCTOPHOBIA has a brief running time of less than 80 minutes but still needs padding by topping and tailing the main action with two youtubers in conversation about what might have happened. There are a few nice touches - the twins' father has had a stroke and starts talking gibberish in a nicely composed scene where images of the kids' graduation are projected on a screen while a strange message has been written on a blackboard in the corner.

Otherwise this is strictly amateur stuff - clunky dialogue that frequently feels improvised, and a lot of shaking the camera (or rather the mobile phone) around to create tension. There are worse found footage films out there but there an awful lot that are better than this, too.

NYCTOPHOBIA is out on UK Digital from Miracle Media on Monday 22nd April 2024

The Bad Shepherd (2024)

"Almost a Horror Western"

It's a bit rough and ready but there's a pleasing sense of doom and gloom that infuses Geo Santini's THE BAD SHEPHERD, now getting a UK digital release from Scatena and Rosner Films.

Four friends on a hunting trip come across the dead body of a woman next to a sackful of money, leading to the inevitable question: should they call the police or give the body 'a proper burial' as one of them calls it and run off with the money?

Guess which they choose.

Off they go to their isolated cabin in the woods where they soon have a visitor in the form of the mysterious Mr Sidney (director Santini), who seems to know everything about them. Should they give him what he claims is his money, or tie him to a chair and descend into spiralling madness and betrayal?

THE BAD SHEPHERD has a contemporary setting but with a bit of rewriting (the opening set up and dialogue is all a bit clunky), and a bit more money it would have made a decent supernatural western. If you can get through the opening 20 minutes the film gets better and by the end it has the feel of a good EC comics story. The locations are excellent and go a long way to giving the film a considerable sense of atmosphere. Certainly worth a look of you're forgiving and especially if you fancy a could-have-been western.

THE BAD SHEPHERD is out on UK Digital on Monday 22nd April 2024

The Borderlands (2013)

"First Class Found Footage Classic"

Producer Jennifer Handorf's 2013 found footage horror that premiered at Frightfest that year gets a deserved special edition Blu-ray release from Second Sight.

There's been an alleged miracle at a tiny Catholic church deep in the UK's West Country (actually West Ogwell in Devon). A team has been despatched from the Vatican to either verify or, more likely, disprove what has happened. The team consists of Deacon (Gordon Kennedy) and Mark (Aidan McArdle) assisted by tech guy Gray (Robin Hill) who is there to ensure round the clock filming of their investigations by the numerous cameras he sets up, and which the team have with them at all times.

At first it looks like the local vicar had been faking everything, but as events progress it turns out that there really might be something supernatural going on in, or rather under, the church, something far more horrible than any of them might have been expecting.

Eleven years after its hugely well received premiere, if anything THE BORDERLANDS has improved with time. It's essentially a slow buildup to a brilliantly unpleasant conclusion, with ideas and hints of what's actually going on dropped in along the way such that the film rewards repeat viewings.

Second Sight's disc offers a greatly improved transfer over the previous DVD release, plus a host of new extras. These include a 30 minute interview with producer Handorf and another of similar length with Kennedy and Hill. Both interviews go into good detail about the filming and how, after reshoots and what sounds like multiple edits, the film ended up in its current version.

Special effects man Dan Martin gives a tutorial on movie slimes (more interesting that you might think!) as well as talking about the picture in a 15 minute interview, and all four of the above are together for the commentary track, which goes over some of the above but has extra material as well. Finally, the archival making of featurette has been ported over, and the limited edition comes with art cards, a 70-page book and a slipcase to keep everything in.

THE BORDERLANDS had a terrific reception at its premiere. It's good to see that its reputation has endured, and if you've never seen it before Second Sight's edition of what is already something of a classic is the one to get.

THE BORDERLANDS is out from Second Sight on Blu-ray in both standard and limited editions on a new release date of Monday 15th April 2024

Til Death Do Us Part (2023)

"In Desperate Need Of Counselling"

Timothy J Woodward, Jr's TIL DEATH US DO PART, now getting a UK digital release from Plaion Pictures, has a great action movie central premise. A bride (Natalie Burn) gets cold feet on her wedding day and leaves her husband to be at the altar. This causes the ire of his seven groomsmen. Led by the Best Man (Cam Gigandet) they hunt her down and she ends up having to violently despatch each of them. 

That sounds great, doesn't it? Reminiscent of Tarantino or, for the more literary minded, Cornell Woolrich. So make sure you check out the work of those instead rather than watching this hugely disappointing effort, which is short on action and very long in meaningless, meandering dialogue scenes that frequently feel improvised. 

There's another plot going on as well, bits of which are revealed in either flash forwards or flashbacks (the film is never clear until the end) and which only serve to confuse the narrative, and to cause fans of THE LOST BOYS (1988) to squint at the screen and ask themselves if that really is Jason Patric (it is). Cam Gigandet tries hard to inject some charisma into the proceedings to the point where you begin to feel sorry for him, and Natalie Burn is actually quite good in the few action scenes where she's required to do something. 

Most likely responsible for none of this working is director Timothy Woodward, who made the similarly dreadful THE FINAL WISH (2018) and whose film-making skills seem to have actually got worse in the five years since. Watch READY OR NOT again instead. Meanwhile here's the trailer: 

TIL DEATH US DO PART is out on Digital Platforms with a new revised release date of Monday 15th April 2024